Lyu Kexin and "Remediated Handscrolls: Chinese Photography as Institutional Critique," December 3 at Pitt.

From The Night Revels of Lao Li. 

The University of Pittsburgh's Department of History of Art & Architecture will host graduate student Lyu Kexin and her talk "Remediated Handscrolls: Chinese Photography as Institutional Critique" on December 3 as part of its colloquium series.

This presentation examines how contemporary Chinese artists transform the traditional handscroll format into a site of remediation within global art institutions. It analyzes specific works: Wang Qingsong’s The Night Revels of Lao Li (2000) transforms the handscroll into a monumental public spectacle, subverting its private viewing ritual. Hong Lei’s vitrine-displayed scroll, I dreamt of being killed by my father…(2000), fuses Daoist symbolism with psychoanalysis to process memory. Chen Chieh-jen’s mechanized Star Chart (2017) employs automated scrolling to critique capitalist discipline and technological surveillance. Drawing on media theory’s concept of remediation, I argue that these practices not only revive the handscroll’s narrative temporality but also expose the tensions between Chinese aesthetic traditions and Western institutional frameworks. By turning the handscroll into a site of cross-cultural translation, these artists reveal how visual media negotiate between tradition and modernity, intimacy and spectacle, and local and global systems of meaning. This project illuminates how Chinese contemporary art challenges Western-centric paradigms and offers new ways to understand cultural exchange and representation in an age of global visual circulation.

It takes place from 12:00 to 12:50 pm in 202 Frick Fine Arts in Oakland (map).

Ting Tong Chang (張碩尹) The Hidden Shift on exhibit at Mattress Factory through January 3, 2027.

Ting Tong Chang's The Hidden Shift, which opened at the Mattress Factory on November 22, will remain on exhibit at the Mattress Factory through January 3, 2027.

In the summer of 2024, Ting Tong Chang spent the better part of a week exploring Pittsburgh, during which time he learned of the pivotal role the region played in the history of organized labor. He was particularly struck by the 1892 Homestead Strike — a violent confrontation between workers and Henry Clay Frick’s Pinkerton agents – and the extreme power imbalances it highlighted. Drawing inspiration from these events, as well as from the Mattress Factory’s own layered history of industrial and cultural production, the Taiwanese-born artist worked alongside local filmmakers Alex Abrahams and Benny Shaffer to create a story that would weave these threads together. The resulting work is a murder mystery film set in a fictional macaroni factory, where the factory owner is found dead and each character carries their own potential motives and suspicions.

This film noir–inspired work began as a three-act play. Here it becomes juxtaposed with a documentary style “making of” film. It is both a film and a film about the making of that film.

This cinematic device is further complicated by the casting of museum staff as the film’s actors. What emerges is not just a behind-the-scenes look into the creative process but an intimate portrait of daily museum life. Alongside cast rehearsals and set building, we see staff using the copy machine, greeting visitors, and cracking jokes at a morning meeting. The result is a twisting metanarrative that dissolves the boundaries between art and labor, performance and production. Through its structure and story, The Hidden Shift invites viewers to grapple with complex questions surrounding capitalism, the meaning of work, and the precarity of the so-called ‘creative class.’

This blending of reality and fiction extends beyond the screen, unfolding further within the exhibition space. Here, visitors encounter remnants of the film set – hand painted backdrops, leftover props, and dramatic lighting. By positioning the audience within the physical traces of the film’s production, Chang creates a bodily experience that unsettles our sense of what is real and what is constructed. We find ourselves unwittingly stepping onto a stage that slowly reveals itself.

At the climax of the film, the two juxtaposed narratives begin collapsing into each other. Staff are shown in costume walking through the museum. Fictional characters break the fourth wall. A boom mic operator slips into frame. This self-awareness and subtle humor is common in Chang’s work, where drama and satire merge, offering a lens to help us understand our complex past as we confront an uncertain future.

The museum is located at at 500 Sampsonia Way, in the Mexican War Streets neighborhood of the North Side (map).

Exhibition Opening: Ting Tong Chang, November 21 at Mattress Factory.

The opening reception for the upcoming Ting Tong Chang (張碩尹) exhibition at the Mattress Factory will be held on November 21.

Discover our artist-in-residence, Ting Tong Chang's latest solo exhibition at Mattress Factory! A new immersive installation will be displayed on the lower floor of our 500 Sampsonia building.

Chang’s satirical gaze leaves no aspect of society untouched. Revelling in the absurd and illogical, he makes a mockery of socio-political subjects ranging from the social and ecological effects of consumerism to the functioning of the art world itself. Working across the distinct practices of immersive installation, video and theatre, his transgressive practice co-opts science, technology and history to dissect the world around him.

Chang was selected for exhibition by a panel of Mattress Factory alumni artists through the 2024 International Open Call. Artists who have worked in residency with Mattress Factory offer perspective unlike any other, one that is deeply familiar with the museum, engaged in many aspects of the contemporary art field, and invested in pushing our exhibitions in new directions.

Please note, parking is limited at our main lot at 505 Jacksonia Street, with additional street parking available in the surrounding neighborhood.

The event runs from 6:00 to 8:00 pm and is free and open to the public, though registration is required. This exhibition will be presented at 500 Sampsonia Way. in the Mexican War Streets neighborhood of the North Side (map).

Maree ReMalia’s WITH OURSELVES, WITH EACH OTHER, November 13.

CMU Center for New Work Development and Kelly Strayhorn Theater will present Maree ReMalia’s WITH OURSELVES, WITH EACH OTHER on November 13.

Kelly Strayhorn Theater and the Center for New Work Development at Carnegie Mellon University invite you to an intimate work-in-progress showing of Maree ReMalia’s forthcoming solo WITH OURSELVES, WITH EACH OTHER (WOWEO). Set in a karaoke-funeral-lounge, ReMalia welcomes audiences into an evening-length solo blending dance, text, and pop music as a way to grieve a parent who raised her and a parent she never met. Co-directed by Adil Mansoor, this performance explores how a solo body can become a meeting place for others and how a mic becomes a lifeline. Come experience the process of developing an original work right here in Pittsburgh!

WITH OURSELVES, WITH EACH OTHER is a National Performance Network (NPN) Creation & Development Fund Project co-commissioned by Kelly Strayhorn Theater (KST), Bates Dance Festival (BDF), Hatch Arts Collective (Hatch), and NPN. More information: www.npnweb.org. The development of WOWEO has been supported by Carnegie Mellon University Center for New Work Development in partnership with KST.

This is in addition to "Acts of Remembrance: Moving, Writing, Making" with Maree ReMalia on November 4. WITH OURSELVES, WITH EACH OTHER starts at 7:00 pm and is held at Three Stories in downtown's Cultural District (map).  Tickets are available online.

"Crossing Boundaries," on significance of Japanese prints on Frank Lloyd Wright, October 21 at Pitt.

The Department of History of Art and Architecture at the University of Pittsburgh will host Kevin Nute and his talk "Crossing Boundaries" on October 21.

Kevin Nute will examine how Frank Lloyd Wright’s exposure to Japanese prints, rather than buildings, radically changed his approach to the indoor/outdoor interface.

About the speaker: Dr. Kevin Nute, Professor of Architecture at the University of Hawai'i, Manoa, is the author of Place, Time and Being in Japanese Architecture (2004), Naturally Animated Architecture (2018), and Frank Lloyd Wright and Japan Revisited (2025), and he is currently the 2025 scholar in residence at the Fallingwater Institute.

The talk starts at 4:00 pm in 125 Frick Fine Arts (map) and is free and open to the public.

"Acts of Remembrance: Moving, Writing, Making" with Maree ReMalia, November 4.

The CMU Center for New Work Development & Kelly Strayhorn Theater will present "Acts of Remembrance: Moving, Writing, Making," with Maree ReMalia, on November 4.

Join choreographer Maree ReMalia and collaborators for an interdisciplinary dance workshop. The workshop will begin with a guided movement warm-up, shifting through meditative gestures, full-bodied expressions, and playful, game-like interactions in ways that honor the richness of our diverse physicalities and lived experiences. Following the warm-up, the group will explore themes of remembrance through experimentation with movement, writing, vocalization, collage, and altar creation. This workshop is inspired by ReMalia’s forthcoming work WITH OURSELVES, WITH EACH OTHER, a solo that invites us to collectively grieve and celebrate against all odds. No prior experience is necessary! Please wear clothing comfortable for movement and bring a special memory object, photograph, or token to contribute to the shared altar (all personal belongings will be returned; this is also optional). Attendees are encouraged to also bring a water bottle, journal, and sneakers.

Maree ReMalia (creator/performer/co-director) is a dance-maker, performer, and teaching artist. An adoptee born in South Korea and raised in Ohio, she uses her artistic practice to foster connection while welcoming and honoring diverse bodies, expressions, and lived experiences. Her projects have been presented at venues including La MaMa, Gibney, and Dance Place. She has performed with slowdanger and STAYCEE PEARL dance project and taught at Bates, Brown, and CMU.

The event starts at 7:00 pm and is held at Three Stories in downtown's Cultural District (map). Tickets are available online.

Exhibition Opening: Ting Tong Chang, November 21 at Mattress Factory.

The opening reception for the upcoming Ting Tong Chang (張碩尹) exhibition at the Mattress Factory will be held on November 21.

Discover our artist-in-residence, Ting Tong Chang's latest solo exhibition at Mattress Factory! A new immersive installation will be displayed on the lower floor of our 500 Sampsonia building.

Chang’s satirical gaze leaves no aspect of society untouched. Revelling in the absurd and illogical, he makes a mockery of socio-political subjects ranging from the social and ecological effects of consumerism to the functioning of the art world itself. Working across the distinct practices of immersive installation, video and theatre, his transgressive practice co-opts science, technology and history to dissect the world around him.

Chang was selected for exhibition by a panel of Mattress Factory alumni artists through the 2024 International Open Call. Artists who have worked in residency with Mattress Factory offer perspective unlike any other, one that is deeply familiar with the museum, engaged in many aspects of the contemporary art field, and invested in pushing our exhibitions in new directions.

Please note, parking is limited at our main lot at 505 Jacksonia Street, with additional street parking available in the surrounding neighborhood.

The event runs from 6:00 to 8:00 pm and is free and open to the public, though registration is required. This exhibition will be presented at 500 Sampsonia Way. in the Mexican War Streets neighborhood of the North Side (map).

Phipps Conservatory Fall Flower Show "Visions of Japan" opens October 4 and runs through October 26.

The Fall Flower Show "Visions of Japan" opens October 4 at Phipps.

Starting Sat., Oct. 4, Phipps’ Fall Flower Show: Visions of Japan celebrates the prominence of the chrysanthemum in Japanese culture through vibrant autumnal displays. Mums in a wide variety of shapes, sizes and colors will be presented alongside evocative props including jewel-toned fans, a moon gate, a pagoda, foot bridges and a celebratory ryuu, or dragon, whose brightly colored body floats from end to end of the glasshouse’s iconic Sunken Garden. These mums will be grown using traditional Japanese techniques like disbud and cascade.

The narrative will focus on how the human-nature connection is manifested in Japan. Highlights include the joyous festivals (aki matsuri) and parades that celebrate the autumn harvest season, the symbolism of chrysanthemums in Japanese garden culture and more. Broadly, the show presents an opportunity to discuss some of the unique strategies originated in Japan to promote horticulture as therapeutic, including Shinrin-yoku (forest bathing).

C.Ryu and Kayla Tange Presents: Futurity of the Womb: Myth of the Cyborg Kisaeng, August 30 at Kelly Strayhorn Theater.

The Kelly Strayhorn Theater will host "C.Ryu and Kayla Tange Presents: Futurity of the Womb: Myth of the Cyborg Kisaeng" on August 30.

Futurity of the Womb: The Myth of the Cyborg Kisaeng is an experimental, 60-minute multimedia performance that reimagines Korean history through the lens of feminist mythology. Blending ritual, burlesque, speculative fiction, and mythology, the piece unfolds in four sections, interweaving live performance, video projection, and audience interaction. 

Traditionally, kisaengs were enslaved Korean courtesans, forced to entertain those in power while mastering the arts. Futurity of the Womb is a time-traveling performance that redefines the kisaeng’s legacy beyond the constraints of history. The cyborg becomes a vessel for interrogating our codependence with technology and identity, reflecting on power manufactured by human limitations. 

• Mudang Jenn Kim, a Korean-American shaman, invokes the first cosmic mother of Korea, MAGO,  who was shamed for her larger-than-life power.
• Kayla Tange merges the kisaeng and abandoned Princess Bari to explore grief and adoption as a portal, dwelling in the space between the living and the dead.
• C. Ryu reimagines the gumiho, a nine-tailed fox demon that consumed men’s livers and hearts to survive, as a cyborg—alchemizing complicit desire.

Futurity of the Womb offers not a single narrative, but a timeline rewritten—a mythos where stories once censored emerge alive, electric, and here. This is not a return to history—it’s a reprogramming.

**Funding for the “Futurity of the Womb: Myth of the Cyborg Kisaeng” was provided by the Exposure Artists Program of The Pittsburgh Foundation. An additional thank you for the support provided by the Pedantic Arts Residency. 

Photo Credit: Brendan Lott & C. Ryu

Content Warning: This event is for ages 18+ due to nudity, sex work, gore, and demonology storytelling.

Content Warning: This event includes strobing lights and loud sounds.

The performance runs from 7:30 to 8:30 pm and tickets are available online. The Kelly Strayhorn Theater's Alloy Studios are located at 5530 Penn Ave. in East Liberty (map).

 

Works by Chieko Murasugi, Rosa Ng, and Zelin Seah, among others, at Fiberart International 2025, June 20 through August 30.

"From Rags to Wishes," Textile Works, Chieko Murasugi (2024).

Fiberart International 2025 runs from June 20 through August 30 and features the work of dozens of textile artists, including Chieko Murasugi, Rosa Ng, and Zelin Seah.

Fiberart International 2025 (Fi2025) features works by both established and emerging artists from eight countries, representing a wide spectrum of creativity, materials, techniques and unique perspectives. The global community that is woven together through this exhibition naturally reflects a broad international outlook. The selected works for Fi2025 were juried by three distinguished and internationally renowned artists and curators: JOJO ABOT, Louis Ho and Tamara Kostianovsky.

With over 400 entries from 30 countries, 36 artists were chosen, offering a diverse and engaging representation of contemporary fiber art. The exhibition is globally recognized as a benchmark, documenting trends and innovations in the field. Fi2025 aims to present innovative works rooted in traditional fiber materials, structures, processes and history, while also embracing art that explores unexpected connections between fiber and other creative disciplines. 

Shai FM, Lexcd, DJ Furniture Present: Reconstructed, July 17 at Carnegie Museum of Art.

Shai FM, Lexcd, DJ Furniture Present: Reconstructed on July 17 at the Carnegie Museum of Art, part of the museum's summer Inside Out series.

An evening of playful experimentation in dance music, featuring three artists working to build meaning in the post-genre labyrinths of modern dance music. They will explore bridges between techno, bass music, club music, and unclassifiable sound.

Eats and drinks: Hibachi Lou and Café Carnegie Treats

The event starts at 5:00 pm and is free in the Sculpture Court, though museum admission is not included. The Carnegie Museum of Art is located at 4400 Forbes Ave. in Oakland (map), accessible by a number of city buses.

Pittsburgh Bonsai Society's 44th annual Bonsai Show, June 7 and 8.

The Pittsburgh Bonsai Society will hold its 44th annual Bonsai Show on June 7 and 8. Guests may:

• View a beautiful gallery of unique varieties and different styles of bonsai 
• Start your own collection and purchase trees, starter material, tools and supplies 
• Watch tree styling demos throughout the day 
• Bring in your own tree and get help from the experts. 

The event is free at the Millvale Community Center (map), 10 to 5 on Saturday and 10 to 4 on Sunday.

Ocean Vuong, "The Emperor of Gladness" Reading and Conversation, May 20.

White Whale Bookstore will present Ocean Vuong and his "The Emperor of Gladness" Reading and Conversation at the Carnegie Library Lecture Hall in Oakland on May 20.

White Whale Bookstore is thrilled to welcome bestselling author, award-winning poet, and MacArthur Genius Ocean Vuong back to Pittsburgh in celebration of his latest novel, The Emperor of Gladness! Join us May 20th at the Carnegie Library Lecture Hall for an unforgettable evening.

Tickets are required to attend this event. Each ticket—except discounted student tickets— will include a signed copy of The Emperor of Gladness, to be picked up at the event. The author will not be personalizing books, or signing any books brought from home.

Can't attend this time? You can preorder The Emperor of Gladness here. For every confirmed preorder of this book, Penguin Press will donate $0.50 to Queer Liberation Library. Let them know you preordered here.

. . .

Ocean Vuong returns with a bighearted novel about chosen family, unexpected friendship, and the stories we tell ourselves in order to survive

One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak, with the power to transform Hai’s relationship to himself, his family, and a community on the brink.

Following the cycles of history, memory, and time, The Emperor of Gladness shows the profound ways in which love, labor, and loneliness form the bedrock of American life. At its heart is a brave epic about what it means to exist on the fringes of society and to reckon with the wounds that haunt our collective soul. Hallmarks of Ocean Vuong’s writing—formal innovation, syntactic dexterity, and the ability to twin grit with grace through tenderness—are on full display in this story of loss, hope, and how far we would go to possess one of life’s most fleeting mercies: a second chance.
 

OCEAN VUONG is the author of the critically acclaimed poetry collections Night Sky with Exit Wounds and Time Is a Mother, as well as the New York Times bestselling novel On Earth We’re Briefly Gorgeous. A recipient of the MacArthur Fellowship and the American Book Award, he used to work as a fast-food server, which inspired The Emperor of Gladness. Born in Saigon, Vietnam, he currently splits his time between Northampton, Massachusetts, and New York City.

The event runs from 7:00 to 8:30 pm, and tickets may be purchased online. The Carnegie Library Lecture Hall is located in Oakland, accessible via numerous city buses (map).

2025 Japan Lecture Series with The Japan-America Society of Pennsylvania, Then and Now: Japanese Performing Arts, April 17.

The Japan-America Society of Pennsylvania will present "Then and Now: Japanese Performing Arts" on April 17, part of its 2025 Japan Lecture Series.

As Artistic Director, Yoko Shioya has carried out the Japan Society’s Performing Arts Program mission of presenting works inspired by the arts and culture of Japan in New York City and beyond. Her award-winning curation of about 200 programs of Japanese theater, dance, and music spans the very traditional to the most cutting edge. In this year of special programming celebrating her accomplishments over the past twenty years, Yoko will join us in Pittsburgh to share an update on her perspective of the evolutions in the field to ways in which artists are innovating and keeping traditions alive.

Join the JASP on April 17, 2025 for a lecture about the performing arts landscape inside and outside of Japan. Light hors d’oeuvres and beverages will be provided.

Yoko Shioya became head of Japan Society’s Performing Arts program in 2004 and Artistic Director in 2006. Her many contributions including increasing commissions for new non-Japanese works about Japanese culture, expanded North American tours, readings for contemporary plays in English, and the JAPAN CUTS film festival. Shioya received BAs in musicology and dance history from Tokyo University of the Arts. In Japan, she is known as a writer and researcher on the arts, presenting at various symposia, TV programs, cultural institutions, and as a writer for the Asahi Newspaper.

The event runs from 6:00 to 8:00 pm in the JVH Auditorium in Thayer Hall at Point Park University downtown (map). The event is free, but registration is required.

American premiere of Miss Julie, adapted by Amy Ng, in Pittsburgh April 18 through May 4.

The Pittsburgh International Classic Theatre will present a production of Miss Julie, adapted by Amy Ng, from April 18 through May 4.

Following on the heels of the hit productions in London and Hong Kong, PICT is thrilled to stage the AMERICAN PREMIERE of this brilliant adaptation of August Strindberg’s classic play by acclaimed playwright Amy Ng.

It’s Chinese New Year in post-World War II Hong Kong. Julie is the daughter of the island’s former British governor newly released from the Japanese internment camp. When her father is away for the holiday weekend, Miss Julie, who was raised in British colonial Hong Kong, comes downstairs to join the servants as they party initiating a sexually charged power game with her father’s Chinese chauffeur who is engaged to the kitchen servant Christine. What starts as a lark descends into a fight for survival as sex, power, money and race collide on a hot night in the Pearl River Delta.

There are three additional events surrounding the production:

• Asian Cultural Celebration - April 23
• Pre-theatre dinner with Amy Ng - April 26
• Film Screening and Adaptations Discussion - April 30

Tickets for the show and the events are available online. The performances are held at the Carnegie Stage at 25 West Main Street in Carngie (map).

Ocean Vuong, "The Emperor of Gladness" Reading and Conversation, May 20.

White Whale Bookstore will present Ocean Vuong and his "The Emperor of Gladness" Reading and Conversation at the Carnegie Library Lecture Hall in Oakland on May 20.

White Whale Bookstore is thrilled to welcome bestselling author, award-winning poet, and MacArthur Genius Ocean Vuong back to Pittsburgh in celebration of his latest novel, The Emperor of Gladness! Join us May 20th at the Carnegie Library Lecture Hall for an unforgettable evening.

Tickets are required to attend this event. Each ticket—except discounted student tickets— will include a signed copy of The Emperor of Gladness, to be picked up at the event. The author will not be personalizing books, or signing any books brought from home.

Can't attend this time? You can preorder The Emperor of Gladness here. For every confirmed preorder of this book, Penguin Press will donate $0.50 to Queer Liberation Library. Let them know you preordered here.

Keiko Fukazawa Retrospective: The Space in Between free guided tour, April 12 at Contemporary Craft.

Contemporary Craft will host a free guided tour for the Keiko Fukazawa Retrospective: The Space in Between exhibition on April 12. The tour runs from 11:00 am to 12:00 pm and registration is required. The exhibition runs through May 16, two weeks longer than originally announced.

Keiko Fukazawa Retrospective: The Space in Between features a comprehensive survey of California-based artist, Keiko Fukazawa’s more than forty-year career, featuring new works alongside selected archival materials. Fukazawa is deeply influenced by her Japanese heritage and American environment, addressing themes of Asian pop culture and social issues through conceptual exploration. Her functional yet impractical interpretations of traditional forms serve as personal expressions that bridge cultural boundaries.

This exhibition is organized into three themes: “Culture Clash,” “ARTivism,” and “In Betweenness,” each one representing different stages of Fukazawa’s creative evolution. As an immigrant artist, Fukazawa draws on her experiences of navigating the space between cultures and identities, infusing her work with depth and resonance. Through her use of porcelain, Fukazawa highlights ceramic artistry, process, and history advocating for the medium’s importance in the contemporary world. Keiko Fukazawa Retrospective offers a compelling narrative of artistic journey and cultural dialogue, showcasing Fukazawa’s enduring commitment to pushing boundaries and redefining the intersection of tradition, innovation and materiality with her practice.

Contemporary Craft is located at 5645 Butler St. in Lawrenceville (map).

"Visiting Artist Lecture Series: Joan Kee," April 15 at CMU School of Art.

The Carnegie Mellon University School of Art will host Joan Kee on April 15, parts of its Visiting Artist Lecture Series.

Joan Kee is Judy and Michael Steinhardt Director of the Institute of Fine Arts at New York University. A specialist in modern and contemporary art, her books include Contemporary Korean Art: Tansaekhwa and the Urgency of Method (2013), Models of Integrity: Art and Law in Post-Sixties America (2019), and The Geometries of Afro Asia: Art beyond Solidarity (2023) which was awarded the 2024 Robert Motherwell Book Award for a publication in the history and criticism of modernism in the arts. A contributing editor to Artforum and an editor-at-large for the Brooklyn Rail, Kee’s work has appeared in numerous venues including the Metropolitan Museum of Art, MoMA, LACMA, and the Guggenheim Museum.

The talk runs from 5:30 to 7:00 pm in Kresge Theatre (map).

Jordan Wong Artist Talk and PRACTICE +/- Exhibit Walk Through, free, March 28 in Bakery Square.

The Portal Art Gallery in Bakery Square will host an Artist Talk and Exhibit Walk Through with Jordan Wong on March 28. The gallery provides an overview of the exhibit:

PRACTICE +/- shares the contemplations and visual dynamism of artist Jordan Wong (WONGFACE). Building on his recent exhibition, Play is Infinite, at the Children’s Museum of Pittsburgh (on view in 2025), this body of work furthers Wong’s imaginative exploration of the Ultimate Self, the endless possibilities of leveling up in life, and the transformative power of play.

The artwork is inspired by the question, 'What am I practicing?' It stems from the artist's ongoing examination of his own thoughts, feelings, and emotions that are repeated both consciously and—most importantly—subconsciously. The work also celebrates the philosophy that play inspires practice and, in turn, fosters greater play, emphasizing the power that comes from complete freedom to explore, experiment, and express.

Spanning a range of media, the exhibition blends traditional techniques like screen printing and aquatint etching with contemporary industrial processes such as digital UV printing and laser engraving. These dynamic methods reflect Wong’s layered approach, echoing his personal journey of identity as an artist and belonging as a second-generation Chinese American.

The event begins at 6:00 pm and is free and open to the public. The Portal Art Gallery is "located in the thoroughfare through Bakery Office One from Bakery Square Boulevard to East Liberty Boulevard" (map).

Pittsburgh Opera presents Madama Butterfly, featuring an entirely Japanese and Japanese-American creative team, from March 22.

Pittsburgh Opera will present Madama Butterfly from March 22 through March 30 with an entirely Japanese and Japanese-American creative team. PennsylvAsia readers can save 20% on tickets through an exclusive promo code.

MADAMA BUTTERFLY

Music by Giacomo Puccini
Libretto by Luigi Illica and Giuseppe Giacosa • MARCH 22, 25, 28, 30, 2025

His escape is her cage.

In this groundbreaking new production created by an all-Japanese and Japanese American creative team, Madama Butterfly’s story is transported to a fantastical realm where reality and dreams intersect.

Pinkerton puts on a VR headset and transports us into a vibrant virtual reality playground where he has ultimate control. As his avatar, a U.S. Navy Lieutenant, he can seduce and marry his fantasy girl and abandon her just as easily. But to Cio-Cio San, this is no game and the love and betrayal she feels is all too real.

Enveloped in Puccini’s stunning music, this visually beautiful production is the perfect match. Pittsburgh Opera is proud to partner with Cincinnati Opera, Detroit Opera, and Utah Opera to co-produce this reinvention of Puccini’s classic, uncovering new and resonant meaning for all audiences to enjoy.

 

Pennsylvasia readers can save 20% with the promo code POASIA!

Tickets are now available online. The performances are held at the Benedum Center in downtown's Cultural District (map).