
In Korean, the singular Pirate is the same as the plural. The unisex shirt is $15.

The book is especially notable for its particularized and distinctive portrait of Asian Americans. Yune never wanted to write about racism, racial identity or the immigrant experience, because, well, that's been done. But at the least, Eighty Days of Sunlight (titled for Pittsburgh's supposed annual solar exposure) is an unusual take on those matters. Yune notes, for instance, that working-class Asian-American life is usually referenced only as backstory — not depicted in the firsthand way of Jason's often stupefied workaholic father, or of Jason finding a strange pride in taking his father's place in a hot, grimy, noisy factory. Nor, in a national literature replete with immigrants "making it," do we see often such strivers fail.More about the author on his official website.
Likewise atypical are Jason and Tommy, contentious young screw-ups who'd fit no one's typed ideas of Asian Americans. "When I got to know the characters, they didn't seem to be ... the model minority," says Yune. "A lot of times when we see people who don't fit the stereotypes, we forget about them."




The trials and tribulations of a group of convenience store clerks over the course of a single day are emblematic of societal archetypes. These unforgettable characters toil away as they deal with love, drama, mystery, romance, unruly customers and even a little magic. The motley crew includes: a struggling actor, an English student, and a young girl trying to get over a romantic relationship with one of her coworkers. Set against a very specific cultural moment, one wonders: how much does an individual struggle with love, drama, or mystery actually matter when pitted against almighty commerce?The July 14 screening is at 7:00 pm at the Melwood Screening Room (map). The 2015 festival runs from July 10 through July 18 at the Melwood Screening Room and the Regent Square Theater. Ticket information and the complete festival schedule are available at the festival's website.
Celebrate our city's diverse culture as we explore new words through songs, action rhymes and stories in both English and Japanese. For children ages 2-5 and their parents or caregivers.The event runs from 11:00 to 11:30 am, and the library is located at 130 S. Whitfield Street (map).
Step out of the summer heat and into a world of cool Japanese culture! Create delicious candy sushi, construct Asian inspired crafts and compete with your friends at Attack on Titan trivia!The event is intended for fans in grades 6 through 12. The Lawrenceville branch is located at 279 Fisk St. (map).

In Thailand, all males turning 21 years old must participate in the annual military draft lottery. Drawing a black card grants exemption, while drawing red results in two years of military service.The July 12 screening is at 6:30 pm. The 2015 festival runs from July 10 through July 18 at the Melwood Screening Room and the Regent Square Theater. Ticket information and the complete festival schedule are available through the festival's website.
On the morning of his draft lottery, Oat reflects back on his childhood -- when as a child, his older brother Ek faced the possibility of being drafted himself. Unable to convince Ek to do whatever he can to change his fate, young Oat takes matters into his own hands, resulting in unexpected circumstances.
Based on the short stories “At the Café Lovely” and “Draft Day” from the U.S. bestselling book Sightseeing by Rattawut Lapcharoensap[.]

Vietnamese director Nguyen Hoang Diep's feature debut Flapping in the Middle of Nowhere is a frank yet tender examination of what happens when youthful ambivalence is confronted with life-altering decisions. Tung's strategy for gathering cash for the abortion is to join in the illegal cockfights held outside the city in deserted locales. Huyen's method of fundraising is equally precarious: she accepts her sex-worker friend's offer to hook her up with a client who has a fetish for pregnant women. But this moneymaking technique will take her into surprising and bizarre psychological territory.And a synopsis of Nuoc 2030, which plays at the Melwood Screening Room at 8:30 am, from the Silk Screen Festival:
Nuoc 2030 is a sophisticated dystopian mystery with a premise that may be grounded more in science than fiction. In the year 2030, extreme climate change has brought South Vietnam below sea level. Citizens now survive on boats and stilt houses and work on floating farms. When her husband is found dead, Sao (Quynh Hoa) takes a job at a floating farm run by a large corporation that she hopes will provide answers about his suspicious death. Not only does Sao encounter people from her past, but she is also confronted by revelations with larger implications than the simple, sad fate of her husband.The 2015 festival runs from July 10 through July 18 at the Melwood Screening Room and the Regent Square Theater. Ticket information and the complete festival schedule are available through the festival's website. Both films will have additional screenings later in the week.
Shortly after Chen opened Everyday Noodles in Squirrel Hill with authentic Chinese dishes, 90 percent of the patrons were Asians, a testament to the restaurant's authenticity.
Now, about 50 percent of the diners at Everyday Noodles are non-Asians, who can savor traditional Asian dishes like dim sum, soup noodles and bubble tea.
“I bring South China (cuisine) and North China mixed together,” Chen says. Northern China has a drier climate, so the drier soil is more conducive to growing barley. Rice, which requires plenty of water, is grown in South China.
To ensure the authenticity of the dishes, Chen brings in well-trained chefs from Taiwan to teach his chefs how to prepare various dishes, which they do behind plate-glass partitions. There, patrons can view the staff stretching noodle dough or steaming dumplings.
“With Chinese cuisine, the preparation time is very long — cooking time is very short,” Chen says. He says Everyday Noodles is “fast-casual” with a hometown flavor.
“Everything is handmade,” Chen says.
LIVE FROM UB explores the small but vibrant rock scene in Mongolia’s capital, Ulaanbaatar (also called ‘UB’) by blending the story of one band creating original Mongolian rock with interviews from experts and Mongolian rock legends. Rock was a catalyst in the democratic revolution of the late 1980s and early 1990s. Now, more than twenty years later, the first generation to grow up in this new society is making its own music. Unlike the generation before them, the new music makers grew up watching MTV and can access music from anywhere in the world in an instant. But these young Mongolians are defying the forces of globalization and using modern music to both explore and assert their own unique heritage. Like Mongolia at large, they are eager to be recognized beyond their borders, but without sacrificing their identity.