
The 2016 Japanese animated movie One Piece Film: Gold (ワンピースフィルムゴールド) will have a limited theatrical release in the US in January, and will play at the Southside Works Cinemas from January 10 through 17.


Park Chan-Wook’s “The Handmaiden” is a love story, revenge thriller and puzzle film set in Japanese-occupied Korea in the 1930s. It is voluptuously beautiful, frankly sexual, occasionally perverse and horrifically violent. At times its very existence feels inexplicable. And yet all of its disparate pieces are assembled with such care, and the characters written and acted with such psychological acuity, that you rarely feel as if the writer-director is rubbing the audience’s nose in excess of one kind or another. This is a film made by an artist at the peak of his powers: Park, a South Korean director who started out as a critic, has many great or near-great genre films, including “Oldboy,” “Sympathy for Mr. Vengeance,” “Lady Vengeance” and “Thirst,” but this one is so intricate yet light-footed that it feels like the summation of his career to date.Tickets and showtimes are not yet available. The theater is located at 1035 S. Braddock Ave. in Regent Square (map).

Set for release next month, "Suddenly Seventeen" is based on a novel published on the internet. It's part of a hugely popular genre among young Chinese that focuses mainly on fantasy and romance tales and has spawned movies and web series.Tickets and showtimes are available at the AMC Loews Waterfront website. The theater is located at 300 West Waterfront Dr. in the Waterfront shopping complex in Homestead (map), across the Monongahela River from Greenfield, Squirrel Hill, and the rest of Pittsburgh.
In Zhang's film, the 28-year-old protagonist, Liang Xia, played by Ni Ni, is unhappy in love and eats a magical chocolate that wipes her memory and turns her back into a 17-year-old. Zhang says she seized on the short novel's premise and characters, but rather than keeping Liang at 17, her heroine flips back and forth in age every five hours, creating conflict and drama.

“So Long Asleep” chronicles the decades-long project of exhuming, memorializing, and finally repatriating the remains of 115 forced laborers from the Korean peninsula who died constructing the Uryu dam in Hokkaido, Japan. A project begun by Jodo Shinshu priest Yoshihiko Tonohira in the 1990s, it grew into a collaboration with Hanyang University anthropologist, social activist Byung-ho Chung, and Ritsumeikan University physical anthropologist Kichan Song into an ongoing excavation and workshop that brought students from Japan and South Korea together in an effort to excavate not only remains, but histories, and in so doing create a community of awareness and mutual respect among the participants in the workshops. The film is a lyrical and haunting meditation on the ideas of return and closure, one that sensitively and thoughtfully addresses war memory, restitution, and the creation of communities not only to preserve memories but also to learn from them.The event runs from 5:00 to 8:30 pm in the Frick Fine Arts auditorium (map) and is free and open to the public.

It's time for our end of semester showcase! Come and support our students as we cover some of this year's biggest K-pop and C-pop hits, by BTS, BlackPink, EXO, Red Velvet, Twice and more! Enjoy dancing and singing covers, refreshments and raffles!It runs from 4:30 to 7:30 pm in the O'Hara Student Center Ballroom (map) and is free and open to the public.
Pitt Fresh Entertainment By Student Artists (FRESA) is a student group celebrating Asian cultures through music. Our club performs dance and vocal covers of music in the Korean, Japanese, and Chinese entertainment industries. Our students work hard to represent these cultures through performances, so please come and support!


Japan boasts a rich history of tattooing that flourished most visibly in the Tokugawa period (1603-1867), when generations of horishi tattoo artists hand-carved intricate full-body tattoos of magnificent dragons, intrepid carp, and courageous heroes upon the flesh of the country’s working classes. In spite of this time-honored tradition, having a tattoo in Japan can prevent one from entering onsen (hot springs), public baths, pools, beaches, and gyms, and can even hinder employment and marriage prospects. Also, tattoo artists are technically punishable under Japanese law for “practicing medicine without a license.” Tattoos have earned increasing acceptance in the U.S. and Europe, with some polls estimating that 1 in 5 American adults have been inked, and similar numbers showing up in the U.K. Why then, in the face of the globalization of tattoo culture, has the stigma against tattooing persisted in Japan, and where did it originate? With increasing numbers of young people in Japan choosing to go under the needle as a fashion statement, how do they cope with the stigma and negotiate the meanings of their body modifications? As the Tokyo 2020 Olympics approach, the subject of tattooing is increasingly coming into Japan’s public spotlight. This talk uses the example of tattooing and other forms of body modification to examine the ways in which systems of “body power” – cultural, social, and institutional frameworks of control over the body – in Japan are both reinforced and challenged by global flows of “deviant decorative body modification,” such as tattooing, piercing, and cosmetic surgery.The talk will be held from 4:00 pm in 4130 Posvar Hall (map) and is free and open to the public.
John M. Skutlin is an alumnus of the University of Pittsburgh's East Asian Languages & Literatures department and a current PhD candidate in Japanese Studies at the Chinese University of Hong Kong. Having previously researched and written about goth subculture in Japan, his ongoing research project focuses on global flows of body modification in Japan from a cultural anthropological perspective.

* “Designing MOOCs in a Chinese Social Network Environment” by IISE Visiting Scholar, Dr. Xiufang MaThe symposium runs from 12:00 to 1:30 pm in 5604 Posvar Hall (map) and is free and open to the public.
* “A Reverse Mentoring Program in Elementary Levels during the Practicum in Monteria, Colombia” by IISE Visiting Scholar, Luis Mario Viaña Patrón
* “A Study on Cultivating Pragmatic Competence of Chinese EFL Learners” by IISE Visiting Scholar, Xiaoyan Xu

Rarely seen outside of Japan, Ocean Waves is a subtle, poignant and wonderfully detailed story of adolescence and teenage isolation. Taku and his best friend Yutaka are headed back to school for what looks like another uneventful year. But they soon find their friendship tested by the arrival of Rikako, a beautiful new transfer student from Tokyo whose attitude vacillates wildly from flirty and flippant to melancholic. When Taku joins Rikako on a trip to Tokyo, the school erupts with rumors, and the three friends are forced to come to terms with their changing relationships.Ticket information and showtimes have not yet been announced. The single-screen theater is located at 4115 Butler Street in Lawrenceville (map).
Ocean Waves was the first Studio Ghibli film directed by someone other than studio founders Hayao Miyazaki and Isao Takahata, as director Tomomi Mochizuki led a talented staff of younger employees in an adaptation of Saeko Himuro’s best-selling novel. Full of shots bathed in a palette of pleasingly soft pastel colors and rich in the unexpected visual details typical of Studio Ghibli’s most revered works, Ocean Waves is an accomplished teenage drama and a true discovery.