Friday, February 28, 2014

Wong Kar Wai's The Grandmaster (一代宗師) at Erie Art Museum, March 5.



Wong Kar Wai's latest film The Grandmaster (一代宗師), which opened throughout the US in August 2013, will play at the Erie Art Museum (map) on March 5. Starring Tony Leung and Zhang Ziyi, the New York Times wrote last year it's
a hypnotically beautiful dream from the Hong Kong filmmaker Wong Kar-wai, opens with curls of smoke, eddies of water and men soaring and flying across the frame as effortlessly as silk ribbons. The men are warriors, street fighters with furious fists and winged feet, who have massed together on a dark, rainy night to take on Ip Man (Tony Leung), a still figure in a long coat and an elegant white hat. Even amid the violent whirlpools of rain and bodies, that hat never leaves his head. It’s as unyielding as its owner.
The movie starts at 7:00. Tickets are $5 at the door, or $6.17 online.

Thursday, February 27, 2014

Wednesday, February 26, 2014

"Still Watching a Movie?: Korean National Cinema in the Post-Film Era" lecture at Pitt, March 3.


Korean Popular Culture Reader, 2014.

The University of Pittsburgh's Film Studies program will host Dr. Kyung Hyun Kim and his lecture "Still Watching a Movie?: Korean National Cinema in the Post-Film Era" on Monday, March 3, in room 501 of the Cathedral of Learning (map). Dr. Kim is a professor at the University of California Irvine, author on numerous articles and books on Korean film and pop culture, and editor of the forthcoming The Korean Popular Culture Reader. The talk runs from 1 to 3 pm and is free.

On a related topic at Pitt on the same day, Ph.D. candidate Seung-hwan Shin in the Department of English will defend his dissertation "New Korean Cinema: Mourning to Regeneration" at 9:30 am in the same room, 501 Cathedral of Learning.

Pitt alumnus named chancellor of Baekseok Culture University.

Young Shik Kim (김영식) was named the 7th chancellor of Baekseok Culture University (백석문화대학교) on February 19. Kim, 63, earned a Ph.D. from the University of Pittsburgh in 2000 in Administrative and Policy Studies / Higher Education Management. His dissertation is titled The Higher Educational Policy-Making Process in Korea: A Case Study for the National Policy of University Autonomy (1986-1990).


From the 2001 University of Pittsburgh commencement program, via Documenting Pitt.

Tuesday, February 25, 2014

Dinh Q. Lê lecture at CMU School of Art on March 4, discussion at Carnegie Museum of Art on March 5.


Dinh Q. Lê, from the "Vietnam to Hollywood" series, via Blendspace.

The Carnegie Mellon University School of Art will host Dinh Q. Lê on March 4 as part of its Spring 2014 Lecture Series. From the Lecture Series homepage:
Born in Vietnam during wartime in 1968, artist DINH Q LE moved to the US at 10 years old and was brought up amid Western depictions of his homeland. In his artistic practice, Lê developed an innovative multidisciplinary technique that combined traditional Vietnamese craft with images and fragments of history and modern truths. His work continued after he returned to Vietnam in his 20s, where he examined complex and contradictory topics such as the continuing legacy of the war and the marketing of Vietnam as a tourist's paradise. Lê is the co-founder of the Vietnam Foundation for the Arts, which initiates artistic exchanges between Vietnam and the West, and Sán Art, the first independent not-for-profit art space in Ho Chi Minh City. In 2010, Lê was the recipient of the Prince Claus Award. He will discuss past projects and his work for the 2013 Carnegie International.
Lê is one of several Asian artists with works on display at the 2013 Carnegie International, which runs through March 16 at the Carnegie Museum of Art (map). The day after the CMU lecture, March 5, Lê will participate in a discussion at the Carnegie Museum of Art Theater. From the museum's website:
Explore Dinh Q. Lê’s work in the 2013 Carnegie International in greater depth. Life and Belief: Sketches of Life from the Vietnam War, an installation of 100 drawings and paintings made by Vietnamese artist-soldiers on the front lines of the Vietnam War accompanied by a documentary film, will be the starting point of a discussion focused on art, war, and image. Lê, who will speak to the artists’ inside interpretation of the war, will converse with Dr. Daniel Lieberfeld, associate professor at Duquesne University, and Dr. Philip Nash, Vietnam historian and associate professor of history at Penn State Shenango, about the power of images during and after the conflict. Lê will also discuss his follow-up companion project to this piece—a look at the non-communist artists and their lasting legacy. Exhibition co-curator Dan Byers will moderate the discussion. Cosponsored by Carnegie Mellon University School of Art and Jeff Pan.
The discussion runs from 6:30 to 7:30 p.m. and is free with admission to the museum.

“Spiritual Health vs. Mental Health: The Uses of Japanese Naikan Meditation” lecture at Pitt, February 27.



The Asian Studies Center at the University of Pittsburgh will host Associate Professor of Religious Studies Dr. Clark Chilson and his lecture "Spiritual Health vs. Mental Health: The Uses of Japanese Naikan Meditation" on February 27 as part of the Asia Over Lunch lecture series. It takes place at 12:00 pm in room 4130 Posvar Hall (campus map) and is free. Upcoming lectures in the series this term are printed on the flyer above.

Saturday, February 22, 2014

"Japan and Its Asian Neighbors: History, Islands and National Identity” video-conference lecture at Pitt, February 25.



The second installment of the "Japan in the Broader Context of Asia" lecture series is "Japan and Its Asian Neighbors: History, Islands and National Identity”, by Dr. Constantine Vaporis, a professor in the University of Maryland Baltimore County's History department. The presentation begins at 6:00 pm, and is followed by light refreshments and a networking reception. An overview of the series from the University of Pittsburgh's Asian Studies Center newsletter:
The next lecture of the NCTA video-conference lecture series is “Japan and Its Asian Neighbors: History, Islands and National Identity,” featuring Constantine N. Vaporis, Professor of History and Director of the Asian Studies Program, University of Maryland. A light dinner will be served for all participants starting at 5:30

This lecture is part of a series of an NCTA video-conference lectures “Japan in the Broader Context of Asia,” which will feature a variety of talks by professors from Pitt, Elizabethtown College, and the University of Maryland, Baltimore County.

These lectures are free, but space is limited and registration is required by emailing Patrick Hughes at hughespw@pitt.edu (please let him know which lectures you wish to attend). You may register for as many of the sessions as you like.

Thursday, February 20, 2014

Like Father, Like Son (そして父になる) from tomorrow night through March 6 at Harris Theater.



The 2013 Japanese film Like Father, Like Son (そして父になる) will be in Pittsburgh from February 21 through March 6 at the Harris Theater downtown.

Japanese film Key of Life (鍵泥棒のメソッド) at Carnegie Library Oakland, March 2.

Key of Life

As part of its International Cinema series, the Oakland branch of the Carnegie Library of Pittsburgh (map) will show the 2012 Japanese film Key of Life (鍵泥棒のメソッド). The library website borrows a plot summary from IMDB:
Sakurai is a failed actor who switches identities with a stranger at a bath house, only to find out that he is suddenly filling the shoes of an elite assassin.
Key of Life was part of the 2013 Silk Screen Asian American Film Festival in Pittsburgh last April. The movie will play on the 2nd from 2:30 to 4:30.

Lecture "'Catfish' Catastrophe in Japan", February 26 at IUP.



Indiana University of Pennsylvania's Department of Asian Studies will host "'Catfish' Catastrophe in Japan" by Dr. Gregory Smits of Penn State.
Gregory Smits will present an illustrated lecture discussing representations of the Ansei Edo earthquake in popular prints. The talk will be in the Susquehanna Room of the HUB on February 26 at 7:00 p.m. All are welcome.

At about 10:00 p.m. on November 11, [1855], a strong earthquake shook Edo (modern Tokyo), Japan’s de facto capital. The earthquake killed roughly 8,000 and did extensive damage to certain areas of the city. Along with death and destruction, the earthquake created opportunities for windfall profits for many of the city’s ordinary residents. One product of this earthquake was hundreds of varieties of broadside prints. These prints came to be called “catfish prints” (namazue) because many of them featured catfish, which symbolized the power of earthquakes.
An article by Dr. Smits on the topic published in the Journal of Social History , "Shaking up Japan: Edo Society and the 1855 Catfish Prints," is available online.

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