
From the 2001 University of Pittsburgh commencement program, via Documenting Pitt.

Born in Vietnam during wartime in 1968, artist DINH Q LE moved to the US at 10 years old and was brought up amid Western depictions of his homeland. In his artistic practice, Lê developed an innovative multidisciplinary technique that combined traditional Vietnamese craft with images and fragments of history and modern truths. His work continued after he returned to Vietnam in his 20s, where he examined complex and contradictory topics such as the continuing legacy of the war and the marketing of Vietnam as a tourist's paradise. Lê is the co-founder of the Vietnam Foundation for the Arts, which initiates artistic exchanges between Vietnam and the West, and Sán Art, the first independent not-for-profit art space in Ho Chi Minh City. In 2010, Lê was the recipient of the Prince Claus Award. He will discuss past projects and his work for the 2013 Carnegie International.Lê is one of several Asian artists with works on display at the 2013 Carnegie International, which runs through March 16 at the Carnegie Museum of Art (map). The day after the CMU lecture, March 5, Lê will participate in a discussion at the Carnegie Museum of Art Theater. From the museum's website:
Explore Dinh Q. Lê’s work in the 2013 Carnegie International in greater depth. Life and Belief: Sketches of Life from the Vietnam War, an installation of 100 drawings and paintings made by Vietnamese artist-soldiers on the front lines of the Vietnam War accompanied by a documentary film, will be the starting point of a discussion focused on art, war, and image. Lê, who will speak to the artists’ inside interpretation of the war, will converse with Dr. Daniel Lieberfeld, associate professor at Duquesne University, and Dr. Philip Nash, Vietnam historian and associate professor of history at Penn State Shenango, about the power of images during and after the conflict. Lê will also discuss his follow-up companion project to this piece—a look at the non-communist artists and their lasting legacy. Exhibition co-curator Dan Byers will moderate the discussion. Cosponsored by Carnegie Mellon University School of Art and Jeff Pan.The discussion runs from 6:30 to 7:30 p.m. and is free with admission to the museum.

The next lecture of the NCTA video-conference lecture series is “Japan and Its Asian Neighbors: History, Islands and National Identity,” featuring Constantine N. Vaporis, Professor of History and Director of the Asian Studies Program, University of Maryland. A light dinner will be served for all participants starting at 5:30
This lecture is part of a series of an NCTA video-conference lectures “Japan in the Broader Context of Asia,” which will feature a variety of talks by professors from Pitt, Elizabethtown College, and the University of Maryland, Baltimore County.
These lectures are free, but space is limited and registration is required by emailing Patrick Hughes at hughespw@pitt.edu (please let him know which lectures you wish to attend). You may register for as many of the sessions as you like.
Sakurai is a failed actor who switches identities with a stranger at a bath house, only to find out that he is suddenly filling the shoes of an elite assassin.Key of Life was part of the 2013 Silk Screen Asian American Film Festival in Pittsburgh last April. The movie will play on the 2nd from 2:30 to 4:30.

Gregory Smits will present an illustrated lecture discussing representations of the Ansei Edo earthquake in popular prints. The talk will be in the Susquehanna Room of the HUB on February 26 at 7:00 p.m. All are welcome.An article by Dr. Smits on the topic published in the Journal of Social History , "Shaking up Japan: Edo Society and the 1855 Catfish Prints," is available online.
At about 10:00 p.m. on November 11, [1855], a strong earthquake shook Edo (modern Tokyo), Japan’s de facto capital. The earthquake killed roughly 8,000 and did extensive damage to certain areas of the city. Along with death and destruction, the earthquake created opportunities for windfall profits for many of the city’s ordinary residents. One product of this earthquake was hundreds of varieties of broadside prints. These prints came to be called “catfish prints” (namazue) because many of them featured catfish, which symbolized the power of earthquakes.
With its blissfully crude setup and ferociously inventive fight sequences, Gareth Evans’ “The Raid: Redemption” (2011) was an exhilarating, exhausting treat for those who like to take their genre poison straight. If “The Raid 2: Berandal” disappoints somewhat by comparison, it’s not for lack of ambition: At nearly two-and-a-half hours, this sensationally violent and strikingly well-made sequel has been conceived as a slow-burn gangster epic, stranding the viewer in a maze-like underworld that doesn’t really get the adrenaline pumping until the film’s second half. Once the carnage kicks in, Evans’ action chops prove as robust and hyperkinetic as ever, delivering deep, bone-crunching pleasure for hardcore action buffs. Still, given its diminished novelty and hefty running time, the Sony Classics item . . . may have trouble wooing as many viewers theatrically as it will in homevid play.The movie starts at 7:30 pm on the 19th, and will be released nationwide across Indonesia and the United States on March 28. The Hollywood Theater (map) is located at 1449 Potomac Ave. in Dormont and a block south of Potomac Station.

The exhibition is curated by Gao Minglu, assisted by Madeline Eschenburg and other student interns of the gallery. Visitors will have the opportunity to experience Chinese artworks that have not been shown in the U.S. before, or have not previously been available in this part of the world.
This exhibition will feature video work from Chinese artists produced at the turn of the 21st century. Through these artworks, the curator intends to show how Chinese artists and intellectuals responded to the rapid political and economic changes in China in the late 20th century, and how artists used their eyes and even their own bodies to address certain social concerns. The videos can be categorized as documentation which features avant-garde activities such as performance and exhibitions, or video art with certain particular themes such as urbanization.
The University Art Gallery is located in the Frick Fine Arts building at the University of Pittsburgh. Public hours are Monday through Friday, 10 a.m. to 4 p.m. or by appointment. The exhibition is open through Mar. 21st, but will be closed for spring break Mar. 10-14th. For more information, contact uag@pitt.edu or call 412-648-2423.